eerietom: series of 3D cubes with blue, green, and black sides (Default)
I had the opportunity to spend a night away in a hotel, and thought I should have a new Digital Wonderland video to watch. I already had a few ideas for the next one, but not enough of any single idea to make an entire 90 minute video, so decided to cobble together a potpourri video.

Here's an abridged version.




And here’s the playlist. Number links refer to previous playlists on which the artist appeared.


Song (Year)ArtistLink
Vortex 1: Mario Kart
A single lap around 18 increasingly futuristic courses.
1.“Heaven” (1987)EurythmicsLink
2.“Green Jellyfish” (2008)Dynastic 4Link
3.“Gizmo” (2014)eMLink
Vortex 2: Sci-Fi Movies, Part 1
featuring clips from:
Star Trek: The Motion Picture (1979)
2001: A Space Odyssey (1968)
Dark Star (1974)
4.“Changes Come” (2011)Gus GusLink
5.“Taurus” (2004)ZombiLink
6.“Ballad for Amalia” (2010)OpolopoLink
7.“They Them” (2001)Jan JelinekLink
8.“Eidolon” (2011)NOEL-KITLink
9.“Quantum” (2009)KeinzweiterLink
Vortex 3: Akihabara (link)
10.“Fly” (2012)dayz & kniteLink
11.“Combo4” (2007)TECLink
12.“Tokyo” (2020)NohumanoLink
13.“Sealed Dimension” (2007)Tatsu 1, 2Link
14.“Valve POD” (2019)Peel Seamus 2Link
Vortex 4: Sci-Fi Films, Part 2
featuring scenes from:
Blade Runner (1982)
THX-1138 (1971)
Zardoz (1974)
15.“Disrupted Neural Gateway” (2014)TransllusionLink
16.“4th Experience (Morning Star)” (2011)BlurixLink
Vortex 5: “Faux Shouwa”, Japan
Actually, Shimokitazawa (link)
17.“Yugao” (1965)Master Hagiwara
Master Hatta
Master Kitagawa
Master Kikusui
Master Mineuchi
Master Yamaguchi
Link
18.“Echigojishi” (1965)
19.“Godan-Kinuta” (1965)
20.“Haru no Kyoku” (1965)
21.“Shin Takasago” (1965)

Notes:

• One of the clips came from the 1974 movie Zardoz, which gave me the idea to call each section a Vortex. Here’s an audio clip from when Sean Connery’s character approaches the periphery shield—the voice is that of actor David de Keyser.


• There was another Vortex between Akihabara and Sci-Fi Films Part 2, but I was dissatisfied with the original footage, despite several attempts to re-edit it, so I deleted it, making this Digital Wonderland video shorter (about 68 minutes) than the others (usually 90 minutes).

Star Trek: The Motion Picture, 2001: A Space Odyssey, and Blade Runner all feature the work of the late Douglas Trumbull (1942-2022). Even after all these years, his works still look more futuristic than modern CGI effects.

• I wanted a mid-century “faux Shouwa” look for the final Vortex. The best I could find was a clip from Shimokitazawa of a festival taking place in narrow alleys. To make the footage look older, I blurred it slightly, increased the exposure, added a warm golden glow, and an “old film” filter. These effects, however, made the footage look more like a colorized silent film! More Taishou era than Shouwa, perhaps, but it works for me!
eerietom: series of 3D cubes with blue, green, and black sides (Default)
The trouble with making my “Digital Wonderland” videos (first, second) is the amount of time it takes to find suitable videos from the internet, or to create my own. I had an idea for what I thought would be a quicker-to-assemble video: clips of people walking, either in nighttime Japanese cities or underground malls, and of POV drives. Superimpose some computer graphics over them for a “cyborg-eye” feel, then add some music. Nothing could be simpler, right? Alas, even a “simple” solution takes time if one wants it to look good, and this was no exception. After considerable trial-and-error, I came up with the fourth* video. Since I was using various locations, I divided the “journey” into six “districts”, with voices in Japanese and English introducing each one:

Here's an abridged version. Note: the district order is different here than on the full-length version.



Success! What makes the video particularly trippy (not apparent in the abridged version) was exporting it at a very low resolution (480 x 270), then watching it on a phone using a stereoscopic headset. This created some extreme Moiré pattern distortions, such as:

1. Illuminated windows seem to crawl across distant buildings like insects; as the buildings come closer, each window becomes a television monitor, each broadcasting something different.

2. Lettering (especially kanji!) shimmers and looks like rapidly changing characters—or perhaps spasmodic Space Invaders.

3. The low resolution makes distant objects blur together; as they get closer, they morph and shift into different objects and become a sort of Rorschach test. For example, what looked like a herd of zebras eventually morphed into its true form, a group of parked bicycles.

And here’s the playlist. I made it a point not to use music by any musician from the previous videos, with one (inadvertent) exception (Spirit Catcher).

Song (Year)ArtistLink
District 1: Ōsaka: Dōtonbori, Namba (link)
1.“Attlan Techno” (2015)BarceLink
2.“Gravity Waves” (2002)DrexciyaLink
3.“Samalaginibad” (2008)DynasticLink
District 2: New Transit Yurikamome, from Ōdaiba (link)
4.“Bleep” (2013)LunatiqueLink
5.“Real Exchange” (2012)Cliff TowerLink
6.“Love Theme” (2008)Fred FalkeLink
7.“Order” (2018)Archaic RevivalLink
District 3: Nagoya Station (link)
8.“Together” (2017)1st Day TodayLink
9.“Ne-uter” (2018)Anton LanskiLink
10.“Spring Water” (2017)cold00nn/a
11.“Offshore” (2004)Yatsuo MotokiLink
12.“Toss and Turn” (2009)KnifestyleLink
District 4: Tōkyō: Ginza (link)
13.“Reliability” (2011)Kel’Link
14.“Black Skyline” (2004)NeurotronLink
15.“Dunaj” (2009)Sublime PorteLink
16.“Um Dada” (2019)Stephen MallinderLink
District 5: Shuto Expressway: Tōkyō to Kanagawa (link)
17.“Sedona” (2010)Spirit CatcherLink
18.“Mutual Method” (2014)Fcode and Xen MeyerLink
19.“Honey Rydes” (2021)Robe StrobeLink
20.“Nerd Dreams” (2009)Bingo BoyLink
21.“Twin Wash” (2017)PVLMSLink
District 6: Ōsaka: Umeda Underground (link)
22.“No Data” (2015)HermeticoLink
23.“Press This Button” (2012)TilmanLink

*The third was footage of a drive through nighttime downtown Los Angeles and a walk through a Japanese mall, with music from three artists (Sheaf, Soarer, Yu) as well as various announcements from train stations, stores, etc.
eerietom: series of 3D cubes with blue, green, and black sides (Default)
After the success of my first Digital Wonderland video, I decided to make another. I spent quite a bit of time looking for just the right footage; the imagery in the second video was far more varied than in the first. Here's an abridged version:



Note: please excuse the image quality: the video was exported at a low resolution since it was meant to be viewed on a phone.

And here’s the playlist. The asterisks indicates artists whose music was also featured in the first video.

Song (Year)ArtistLink
Countdown and Welcome
1.“Heiße Luft” (2010)Thompson & KuhlLink
2.“Enter the Sphere” (2013)PerfumeLink
The Sphere
3.“Citrus” (2007)Tatsu*Link
4.“Strawberry Hills” (2000)Peel SeamusLink
5.“Antivirus” (2014)Gridline*Link
6.“Broken Hearts” (2017)YouLink
7.“LFO192”, ?MaendoLink
8.“Deep 2.0” (2014)Qcalm*Link
9.“Japanese Elecktronics” (1995)ElecktroidsLink
10.“With The Brizious” (2021)BerzingueLink
11.“Frozen Capitol” (2016)SmoothLink
12.“Rave (Dirt Mix)” (2017)Head HighLink
13.“Tauchgang” (2018)Morgenklang*Link
14.“New Tribe” (2019)PowderLink
15.“iHuAsKo” (2011)R&J empLink
16.“Nikibi” (2013)AnokosLink
17.“I’m The Message” (2003)Karl BartosLink
18.“Conic Sections” (2018)XOR GateLink
19.“Born Yesterday” (2008)Mr. Pips*Link
20.“Spirit Catcher” (2007)Dirty CircuitLink
21.“Smooth Laser” (2014)Tanaka ScatLink
22.“Heiße Luft” (2010)Thompson & KuhlLink
23.“Insomatic” (2019)ADMOLink
24.“Expo 2000” (1999)KraftwerkLink
25.“Against” (2017)Buntarou ToriyamaLink


For this video, I added a two minute countdown at the beginning, to give myself time to get the headset on comfortably and adjust the volume. After sixty seconds, a male voice announces in Japanese, ザ・スフィアへようこそ。お客様の遠足はまもなく始まります。座って、くつろいで、お楽しみ下さい。 (“Welcome to The Sphere. Your trip will begin shortly. Please sit back, relax, and enjoy.”) I only chose to call the experience The Sphere to take advantage of Perfume’s thumping song “Enter The Sphere”, which finishes the countdown before the actual video begins.

Success! The same wondrous, utopian feel as before, the same noticing of the details in the music. But as much as I enjoy these vids, it would be next to impossible to create a third in the same way. It was hard enough finding 90 minutes of suitable footage for the second video, even with my own contributions (excerpts of which can be seen here). If I were to create any more videos, I would have to create all the footage myself. This is not necessarily an issue, though it would be a lot of work.
eerietom: series of 3D cubes with blue, green, and black sides (Default)
I have a bit of a cyberpunk / cyborg “fetish”, which includes things like:

• what I call “monorail music” (somewhere between house and chillwave)
• cyberpunk environments like Kowloon Walled City and Anata No Warehouse
• alternately: pristine, futuristic, utopian environments
• electronic noise, audio glitch
• retro computer graphics, vector graphics (such as Atari’s Quadrascan), Quantel Paintbox
• the computer entities from films like Dark Star, THX-1138, and Logan’s Run that, even when warning of impending doom, sounded calm, detached, almost seductive
• disorientation, sensory overload, detachment; a hazy dreamlike feeling
• Yuki Nagato from Haruhi Suzumiya and Canti from Fooly Cooly
• many pleasant memories of sitting in Japanese internet cafés, which were cool, dark, and quiet—they were oases where I could escape, relax, listen to monorail music, and have free coffee. I could imagine I was in a spaceship, sitting in the dark, with only the glow from the monitors providing illumination.

I decided to make a 90-minute video I could play on my phone, inserted into a virtual reality headset. The video was made up of short clips which included footage from Triterasu commercials, Takako Minekawa’s “Plash” music video, Tokyo’s Yamanote Line display, Digidrive (a video game from the bit Generations series), and Jimmy Edgar’s “New Touch” music video. Using a stereoscopic viewer without a stereoscopic image produces an odd effect: each eye sees half of the image, but the images overlap and create a single image. I discovered this while testing the video, but decided the disorientation would be just fine for my purposes.

And then I added music; the playlist was:

Song, YearArtistLink
1.“Deep 1.3”, 2015Q-CalmLink
2.“Amplify”, 2019A.L.I.S.O.N.Link
3.“Bubble Gum”, 2008Mr. PipsLink
4.“El Tren”, 2007TatsuLink
5.“Subliminal”, 2010Yoshinori SunaharaLink
6.“Dive”, 2018Yu-utsu and A.L.I.S.O.N.Link
7.“Caligula”, 2018Windows96Link
8.“These Waves of You”, 2016GridlineLink
9.“Berauschen”, 2007FinelineLink
10.“Tenth Floor”, 2015Ishii FuwaLink
11.“Gossiping”, 2013GeolmLink
12.“MEGA”, 2017Emil RottmayerLink
13.“Dive Control”, 2008?MorgenklangLink
14.“Clear”, 2017Yu-utsuLink
15.“WISDOM”, 2017Ian O’BrienLink
16.“Home A3”, 2004Uesen/a
17.“Dive”, 2018Yu-utsu and A.L.I.S.O.N.Link

“Dive” appears twice simply because I like it so much I would’ve been happy to listen to nothing else!

After a few viewings, I tried it with a little THC in the form of a tincture (0.75ml). I felt as if I were in some kind of digital utopia or wonderland, kept “happy and placid” by subsisting only on data, imagery, and advertising carefully chosen by the (supposedly) benevolent powers-that-be! Here is an edited version for demonstration purposes:


Note: please excuse the image quality: the video was exported at a low resolution since it was meant to be viewed on a phone.

One thing I noticed when I used THC was how different the music sounded. I felt like I was hearing all kinds of detail, some nearly imperceptible, that I had not noticed before (and which led me to item 5, the “audio bonbons” described here). Even the synthesized instrumentation and samples stood out: with headphones, I could hear how carefully and artfully sculpted they were. It gave me a new appreciation for creators of electronic music.
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